4.12.16

Articulate Turns Six: What Next? - opens Friday 9 December 6-8pm

For our end of year and sixth birthday exhibition, we asked artists who have exhibited at Articulate to show whatever they are working on now in Articulate Turns Six: What Next? 

Exhibition dates: 10-24th December 2016*
Opening event: Friday 9th December 6-8pm
Opening hours: Friday- Sunday 11-5pm

Artists talks: Saturday 17 December 3-5pm 

Renee Pepita/Raw Contemporary performance times:
Saturday 10th and 17th December, 11.30-1.30 and 2.30-4.30
Sunday 11th and 18th December 11.30-1.30 and 2.30-4.30

ROOMSHEET

Artists showing work in Articulate Turns Six: What Next? include:
Adrian de Giorgio, Adrian Hall, Adrian Hobbs, Alan Schacher/Mike Leggett, Alexandra Mitchell, Anke Stäcker, Anya Pesce, Barbara Halnan, Cecilia White, Chantal Grech, Christine Myerscough, Danica Knezevic, Elizabeth Ashburn, Elizabeth Day, Jennifer O’Brien, John von Sturmer, Julie Brooke,  Kirsten Drewes/Elizabeth Rankin, Lesley Giovanelli, Liz Coats, Margaret Roberts, Marlene Sarroff, Marta Ferracin, Niall Robb, Nola Farman, Noelene Lucas, Pam Leung, Paul Sutton, Renee Pepita/Raw Contemporary, Ro Murray, Rose Ann McGreevy, Rox de luca, Steven Fasan, Sue Callanan, Susan Buret, Sylvia Griffin, Vivienne Dadour, Toni Warburton and Yvette Hamilton.

Toni Warburton

Liz Coats

Paul Sutton

ADraTtiCuS De GoNzO

Lesley Giovanelli
Alan Schacher
Noelene Lucas



* if you want to visit on Sunday 25 December, you are such wonderfully art-loving people that someone will come especially to open the space for you if you give us a day's advance notice by emailing on etalucitra@gmail.com.

Earlier end-of-year shows:

Four great artists' talks and performance today


Fiona Kemp
Nuha Saad

Danica Knezevic
Kath Fries

Photos: Fiona Kemp and Nuha Saad

26.11.16

Stable - Artists' talks and performance at 3pm on Sunday December 4

 ROOMSHEET

Nuha Saad The Sun Casts Shadows  of a Nostalgic Hue 2016


Nuha Saad The Sun Casts Shadows  of a Nostalgic Hue (detail) 2016

Fiona Kemp Stable 2016

Fiona Kemp Stable 2016 detail
Kath Fries Decant 2014 unfired ceramic ink water; Exhale 2016 beeswax charcoal paper
Kath Fries Exhale 2016

14.11.16

Stable opens Friday 18 November 6-8pm

Artists: Nuha Saad, Kath Fries, Danica Knezevic and Fiona Kemp
Opening: Friday 18 November, 6 - 8pm
Artist talks: Sunday 4 December, 3 - 5pm
Exhibition19 November to 4 December 2016
Open hours: Friday to Sunday 11am - 5pm

STABLE connotes many things including mental, physical, environmental, elemental stability and instability; a shelter for horses; or a bringing together - as in a stable of artists. These ideas are explored in Stable, a group exhibition by Nuha Saad, Kath Fries, Danica Knezevic and Fiona Kemp who all share mutual interests in exploring both the conceptual and material qualities of their practices, working with site-responsive, experimental and embodied processes. Together the four artists will generate new interpretative connections to critique the themes of stability and stables in Articulate project space. Their scope is broad, Nuha Saad works with abstracted ornamental objects, Kath Fries with ephemeral forms, Danica Knezevic with durational performance, and Fiona Kemp works conceptually within her multidisciplinary practice. Materiality will be a central concern in Stable, as these artists playfully and thoughtfully push the limits of their practices and mediums.


Danica Knezevic, Bound by longing, 2015, 
Performance, still from video 7:55 minutes



Fiona Kemp, Horse Gift Mandala, 2016, 
Horse feed bags sown together with horsehair, 
and horse sculptures received over the years as gifts. 
diameter 310 cm, Photograph: Ian Hobbs



Kath Fries, Suffuse, 2016, 
beeswax, charcoal powder, paper and light, (detail view).
Photograph: Kath Fries



Nuha Saad, Work in progress - detail, 2016, 
Flock wallpaper, acrylic and furniture, dimensions variable
Photograph: Nuha Saad

30.10.16

Work Out - the works

William Seeto
Sardar Sinjawi,William Seeto


Sardar Sinjawi

Sardar Sinjawi



Katherine Scott

Linden Braye


Margaret Roberts


Terry Hayes
Photos:Margaret Roberts

29.10.16

Work Out opened last night

open till Sunday 13 November, Fri-Sun 11-5pm
Artists talks downstairs: Sat 5 Nov 3pm; upstairs Sun 13 Nov 3pm









Photos: Sardar Sinjawi

23.10.16

Work Out opens Friday 28 October 6-8pm

Open 11am - 5pm Friday - Saturday 29 October - 13 November

Artists' Talks: Saturday 5 November 3pm - Margaret Roberts, Terry Hayes 

ROOMSHEET

Work Out shows the work of artists Linden Braye, Terry Hayes, Margaret Roberts, Sardar Sinjawi, Katherine Scott and William Seeto, whose work invites some combination of physical and mental engagement. 

To 'work out' suggests the two apparently different processes of solving a puzzle in the mind and exercising the body in space. Even though these are commonly thought of as different processes, there has also long been an interest in the inter-dependency of the mind and the body. Artists implicitly accept that inter-dependency when they employ a spatial vocabulary—whether virtual or actual—to test the mind. In philosophy, Merleau-Ponty discussed this inter-dependency in terms of relationships between perception and reflection, for example as he reflected in 1964:

Left to itself, perception forgets itself and is ignorant of its own accomplishments. Far from thinking that philosophy is a useless repetition of life I think, on the contrary, that without reflection life would probably dissipate itself in ignorance of itself or in chaos. But this does not mean that reflection should be  carried away with itself or pretend to be ignorant of its origins. By fleeing difficulties it would only fail in its task. (Maurice Merleau-Ponty, An Unpublished Text in The Primacy of Perception, trans James M. Edie, Northwestern University Press, 1964, p19)

The phenomenology of Merleau-Ponty was drawn on by artists in the mid 20th Century to explain their growing interest in extending their spatial language from the virtual space of images to the actual space of the body as well. The work shown in Work Out inherits and emphasises that interest by being puzzles that are resolved or explored by bodily moving around or from some other actual spatial engagement. The particular interest that each of these artists has in this area is outlined below.

In the past, Linden Braye would don the costume of a generalised animal, and, while her loyal dog Luna was alive, challenge Luna (as well as human audiences) to work out what she had become. Luna tried to do this by running around and barking. Since Luna has passed on, Linden has sometimes become birds, attempting to leap into the sky or search for scraps in the ground or  rubbish bins.
Linden Braye 2016
Terry Hayes  will work with aboutness, as in 'What is this artwork about?' once the (art) and the (ab) have been worked out.
Terry Hayes 2011
Margaret Roberts will show some of the geometric processes that Francesco Borromini is thought to have used to work out the footprints of his 17th century baroque churches, San Carlo alle Quattro Fontane and Sant'Ivo alla Sapienza. They will be shown as wall drawings with facility for visitors to physically move parts to work out how its thought the shapes were devised.
Margaret Roberts 2016

In his long-term project, After a Beam of Light, Sardar Sinjawi explores the formation of images via the simple interaction of people and objects in spaces also populated by transparent reflective surfaces. He does this by asking viewers to work out the disjunctions between what they see from a single spot and what they know by moving around. He arrived at this by experimenting with clear perspex and mirror to create objects that are illusory like holograms, but that are actually mental entities that viewers themselves create through the conjunction of reflection and their own spatial location. He gives viewers the opportunity to understand that it is they who create the illusory object, just as they can also undo it by moving behind the reflection to see the illusory object disappear.
Sardar Sinjawi 2016
In a different way, Katherine Scott also problematises the image, using projections that ask viewers to work out their formation and relationship to the images' likenesses in the space that is occupied by both image and viewer. 
Katherine Scott 2016
 William Seeto will show work that is a continuation from his project, The Space in Between that explores the transformations produced by simple physical processes such as folding/unfolding/extension and that asks viewers to work out how those changes come about.
William Seeto 2016