Artist Index

Showing posts with label Christine Myerscough. Show all posts
Showing posts with label Christine Myerscough. Show all posts

25.1.15

FERAL3 works




Elena Tory-Henderson, Jannah Quill, Sue Callanan
Elena Tory-Henderson, Christine Myerscough

Ambrose Reisch, Martin Langthorne

Ambrose Reisch

Veronica Habib, Justine Holt
Nicole Ellis, Katya Peteskaya
Helen L Sturgess, Nicole Ellis
Veronica Habib, Helen L Sturgess
Judith Torzillo, Martin Langthorne
Tim Corne, Martin Langthorne 
Elena Tory-Henderson, Helen M Sturgess,
 Katya Peteskaya, Jannah Quill
Helen L Sturgess, Rachel McCallum, Julian Woods,
 Nicole Ellis, Katya Petetskaya

Richard Kean, Katya Petetskaya
Andrew Christie
Andrew Christie. Rachel McCallum, Nicole Ellis, Helen L Sturgess

Helen L Sturgess, Julian Woods, Nicole Ellis

18.1.15

FERAL 3 opens Friday 23 January at 6-8pm

ROOMSHEET

Artists in FERAL 3 are  Bianca Burns, Sue Callanan, Andrew Christie, Timothy Corne, Nicole Ellis, Veronica Habib, Justine Holt, Richard Kean, Blaide Lallemand, Martin Langthorne, Melissa Maree, Rachel McCallum, Christine Myerscough, Katya Petetskaya, Jannah Quill, Ambrose  Reisch, Helen L Sturgess, Helen M Sturgess, Elena Tory-Henderson, Judith Torzillo, Allen Alain Viguier and Julian Woods.


FERAL is a progressive, overlapping exhibition program of over 60 artists that will be open Friday - Sunday 11-5pm between 9 January - 8 February 2015. Its five opening events are Fridays 9, 16, 23 + 30 January and 6 February at 6-8pm, each of which will show the work of a different combination of about twenty artists.

FERAL is designed for artists to experiment with installation or location of artwork in an architectural space that is already altered by the earlier installation of other artists' work, and which will be altered again when another group replaces that earlier installation. 


The FERAL project is part of the broader Articulate interest in the relationships artworks form with their locations. It does this by focusing in particular on the contribution that the changing installations of artwork make to the constitution of a site.


Jannah Quill 2015
Christine Myerscough SPLICE 2014 
Richard Kean Aural Labyrinth 2012
Melissa Maree 2014
Andrew Christie Game of Agony 2014
Ambrose Reisch Recall 2015
Katya Petesakaya L:Cycles of a full breath 2015; R: Clock count down 2015 
Sue Callanan 2015
Helen L Sturgess 2015
Veronica Habib video still 2013

5.1.14

SPLICE IN PROCESS


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Jacqueline Spedding
Margaret Roberts
Beata Geyer

Anticlockwise: Margaret Roberts, Beata Geyer
India Zegan, Christine Myerscough
India Zegan

Beata Geyer
Beata Geyer
topdown: Jacqueline Spedding Beata Geyer
Margaret Roberts India Zegan Beata Geyer
L-R: Beata Geyer India Zegan
Christine Myerscough India Zegan
Christine Myerscough
topdown: India Zegan Margaret Roberts


Beata Geyer, India Zegan, Margaret Roberts

 Beata Geyer LEMON (Form Drawings) 2014 is an installation that explores an emergence of form in the intersection of line, space and architecture loosely based on the series of my recent drawings. It also references my previous project LEMON (Ian Millis Project) 2013 shown in Artspace.  The materials used are: rope, coloured paper, paper tape, canvas fabric, stretched canvas, wood, plastic, acrylic paint, bulldog clips. www.beatageyer.com/

Christine Myerscough
Christine Myerscough, Telegraph 2014. Australian landscape is criss-crossed with a network of telegraph poles. If you look closely you will find that each one has a number. This series is works in progress exploring the fine detail with a wider outlook and the intersection of technology and industry with the natural world.

Jacqueline Spedding, Beata Geyer, Margaret Roberts

Margaret Roberts Multitude 2014. Katarzyna Kobro's Spatial Composition 9 is usually represented by a particular three-quarter 'side-on' image. Multitude 2014 is a type of expanded film or photography, or neo-cubism, as it selects flat shapes made by photographing the round Spatial Composition 9 from some of the multitude of other positions possible, and returns a rudimentary three-dimensionality to them through their interaction with their materials (plywood, fabric, felt, texta & paper), the architecture and the gravity in which they are placed. www.margaretroberts.org

Jacqueline Spedding, Night Song, 2014 
I am interested in cultural interpretations of nature and how they determine our understanding of our physical selves and the environments we inhabit.  For this work, bare branches, broken down garden pots, terracotta pipes and insect remains evoke a subterranean and emergent landscape within the project space, exploring the transitional space between nature and culture.


Jacqueline Spedding Beata Geyer
Jacqueline Spedding Margaret Roberts
Beata Geyer India Zegan
Beata Geyer Christine Myerscough 


Beata Geyer Margaret Roberts
India Zegan Beata Geyer Margaret Roberts



India Zegan Museum of Fathers #40: Fog drawings (2013) (detail) 
India Zegan 
1. Museum of Fathers #39: 30 irregular minutes(1999-2013) 120x 120x 8.4cm, plywood, mdf and consolidant; Special thanks: Steve Mori; 
2. Museum of Fathers #40: Fog drawings (2013) 7.4x 10.4cm; 8.5x 11cm; 8,5x 11cm; 8,5 x 11cm; 7.5x 11cm; Found e-photograph, archival paper and pencil; Special thanks: Richard Crampton. 
3. Museum of Fathers #41: Raft (2014), plywood, consolidant, found objects,  diameters: 66 & 68.7cm; depth: variable; 
4. Museum of Fathers #42: Slow (2014), archival paper & coloured pencils, 175cm x 145cm; museumoffathers.blogspot.com.au