Artist Index

Showing posts with label Francesca Mataraga. Show all posts
Showing posts with label Francesca Mataraga. Show all posts

8.3.16

Room To Move opens Friday 11 March 6-8pm

Articulate Directors Show

Open Friday - Sunday 12 -27 March, 11am-5pm

Artists talks: Saturdays at 2pm


Saturday 12 March: Gary Warner, Margaret Roberts, Jenny Brown
Saturday 19 March: Fiona Kemp, Virginia Hilyard,  Linden Braye
Saturday 26 March:  Emma Wise, Sue Callanan, Lesley Giovanelli, Julian Woods
 

Room to Move ROOMSHEET

Room to Move includes work by Linden Braye, Jenny Brown, Sue Callanan, Lesley Giovanelli, Virginia Hilyard, Fiona Kemp, Francesca Mataraga, Margaret Roberts, Gary Warner, Emma Wise and Julian Woods - artists who, in 2016, are either Directors of, or in other ways work to run Articulate .



Articulate began five years ago when a group of artists with a common background in the Sculpture Studio at Sydney College of the Arts found an opportunity to fill a gap in the Sydney art scene that had long effected them and other installation artists. The gap was caused by the increasingly institutional nature of otherwise sympathetic exhibition spaces, that might welcome installations but then expect them to be constructed within a few days. Twenty-four-hour access to devise and construct work in situ had become harder to find. We wanted a place where artists are welcome to work with the relationships that can be formed between artwork and location by actually devising and making artwork in it.

These frustrations and enthusiasms brought us to accept an opportunity to rent a newly renovated space on the ground floor of 497 Parramatta Road Leichhardt. The name 'articulate' was proposed, to emphasise our intention to give voice to space— to 'articulate the space'. We called it a 'project space' rather than 'gallery' to signal our interest in the open-ended and process-oriented nature of experimentation and live art, to invite artists to experiment with exhibition-practice as much as art-practice, and to remind ourselves that an exhibition space is also a live space that is not contained by the building walls.

We described our agenda as spatial, experimental, critical, cross-disciplinary and artist-centred. We wanted to suggest that, as much as possible, Articulate is a place where artists and our practices are respected and where the lateral thinking of art practice is standard; where content is sought in form, material, action and construction, etc., as much as in representation; where critique and reflection are taken seriously; and where art conventions are questioned—especially the conventions of spatial autonomy (eg through installation practices) and of art speciality (eg through ‘idea dictates form’, where people see themselves as artists first, and think of their art-disciplines as part of their toolkit). Underlying it all however was a desire to also show what we think is the most interesting artwork available.
 
In the five years since then, there have been over 120 projects and exhibitions showing the work of the 350 artists currently listed on the index of both Articulate blogs. Collectively they represent a variety of practices that either overlap with Articulate's spatial and experimental focus, or form part of their wider sympathetic context. And we plan to continue for a while longer.

Over this time the group running Articulate has also expanded to now include 12 artists, and Room to Move shows examples of their work.  Artist talks will be held in the project space each Saturday at 2pm.


Jenny Brown
Linden Braye, still from Untitled, 2014-16
 filmed in 2014, edit #1, 2016.

Emma Wise
Lesley Giovanelli

Fiona Kemp Lapland 2013
Francesca Mataraga
'banner' Sculpture at Scenic World, 2015
digital print on perforated vinyl 23m x 1.8m
Photo: Justin Morrissey, courtesy Scenic World.
Gary Warner
Julian Woods (photo Marta Farracin)


Virginia Hilyard


L: Sue Callanan; R: Gary Warner

Margaret Roberts  KK SC2 #8 (ash) & #9 (tulle), 2016


Room To Move handout + 2016 Articulate program


10.12.14

DOMESTICATED - final weekend, closing drinks 3-5pm Sunday 14 December



Domesticated is open Friday to Sunday from 11am to 5pm to Sunday 14 December.
Closing drinks on Sunday 14 December 3-5pm

Domesticated is an exhibition curated by Lesley Giovanelli of work by Will Cooke, Adrian De Giorgio, Robyn Donoghue, Beata Geyer, Anne Graham, Bettina Hill, Sione Falemaka, Steven Fasan, Mim Fluhrer, Lesley Giovanelli, Pip Giovanelli, Francesca Mataraga, Sarah Newall, Elizabeth Pulie, Margaret Roberts, Nuha Saad, Andrew Simmons and Toni Warburton.

see Artlife

 ROOMSHEET
photos below: Margaret Roberts
Andrew Simmons

Pip Giovanelli

Mim Fluhrer

From foreground R-L: chair: Steven Fasan, white floor piece: Margaret Roberts;
 wall: Adrian De Giorgio;  floor: Nuha Saad; blue shelves: Anne Graham.

Adrian De Giorgio

mat: Margaret Roberts, bin: Sione Falemaka, chair: Steven Fasan

foreground sculpture: Nuha Saad; mid-ground blue shelves: Anne Graham

blue stool: Nuha Saad; blue chair: Lesley Giovanelli; orange cupboard Sarah Newell; green circle: Mim Fluhrer

Sione Falemaka

Robyn Donoghue & Toni Warburton

Toni Warburton

Elizabeth Pulie

Bettina Hill

Will Cooke

Bettina Hill

Foreground Beata Geyer; chair Steven Fasan; wall Adrian De Giorgio


1.3.14

LOST opened last night



Linden Braye investigates cultural and material constructions with humour and pathos. In Now I Know Where you Live she draws together various concepts and materials of her practice, which include nature, and the loss of nature within built environments and the social representations of it. In ‘Found’ as opposed to ’lost’, the tapestry and the hand written message on the polystyrene lid were collected on two different occasions in different locations. Both hold cultural and material curiosity; that of craft practices, historical information and social engagement. By chance these two objects were united in a cartoon-like representation with the ‘Outsiders’, the skeletal structure of the dome and the blanket. 


Francesca Mataraga's practice is cross-disciplinary and extends into the areas of expanded painting, sculpture, drawing and installation. The work ‘elisabet drawing (stripes in cork mat shape)’ belongs to a suite of works that experiment with the scale and application of specific IKEA fabric patterns. Other works in the series include a site-specific painting at Queen St Studios (Frasers). http://francescamataraga.net/

Gillian Lavery interrogates notions of time, place and the nature of hand-made objects through a range of textile and drawing processes.  These thread drawings were part of a larger body of work that explores Aboriginal basketry techniques. They translate, transform and abstract the weaving process. http://gillianlavery.com/

Sue Callanan  works in sculptural installation and art in public space, and uses text to prompt an awareness of the relationship between the body of the viewer and its relationship to surrounding architecture and objects. In What you see...... the text is a play with perceptions and a twist on a commonly used expression

India Zegan is a Sydney based conceptual artist and a self proclaimed 'born again' drawer. Zegan has been working on her 'Museum of Fathers' studio research project for almost 20 years. Zegan is interested in how spatial theory and collaborative laboratory approaches can assist artists to present untold narratives that have been historically vanished. http://museumoffathers.blogspot.com.au/ 



Rose Ann McGreevy: This work, Three Easy Lessons, is a homage to Joseph Beuys who gave me a tutorial in a Belfast pub as well as in my studio when I was a second year under-graduate student and he was visiting Belfast Art College (University of Ulster) and also doing a work in the Museum of Belfast. Rose Ann McGreevy. http://roseannmcgreevy.blogspot.com.au/


Margaret Roberts works with drawing-installation and the live space in which it is  located. The digital prints in LOST are part of the documentation of Polygon Landscape, an interactive work made for the NSW town of Kandos and its art festival, Cementa_13. The work was made by cutting the shapes made by the street-views of 40 randomly selected Kandos houses from triwall cardboard, with details removed for ease of cutting with circular saw. The shapes were laid out in the Kandos Scout Hall - Kandos residents were invited to identify their house's shape and take it home. Unclaimed shapes were offered to others to foster. The prints show some of the houses with their polygon and its carer or foster location. The artist was thinking of the seemingly random impact of fire and floor on towns etc, and of the need to value the places in which we live. www.margaretroberts.org/POLYGON.html

Michele Elliot works with drawing, sculpture and installation. The into ether drawings are constructed through repetitive mark-making and accumulative action of the hand. The shapes are traced from gestures of the artist’s hand and are paired, left and right hand, facing towards and turning away from the other. They carry a soft tension, a magnetic push and pull of attraction and repulsion.www.micheleelliot.com


Lynne Barwick's work explores subjectivity, through writing techniques and genres, including fictional voices, visual poetry and criticism. Barwick’s Scrivener takes its lead from Herman Melville’s short story Bartleby, The Scrivener: A Story of Wall Street, and the clerk who decides he 'would prefer not to'. http://lynnebarwick.blogspot.com.au/


Emma Wise creates spatial interventions in response to sites – interior, exterior and in between. She has recently been incorporating sound elements in her indoor work, usually in the documentary spirit. A theme that consistently emerges is territory; she is interested in borders and barriers, passages and restrictions, possession and occupation. Her installations often involve repetition and sometimes use collections of found objects; she also likes to bake.

Suzanne Bartos Nesting/Resting 2014

13.5.13

Crit Show (small projects going elsewhere) preview friday 17 May 6-8pm

The Crit Show includes work by Suzanne Bartos, Linden Braye, Sue Callanan, Juliet Fowler Smith,  Francesca Mataraga and Margaret Roberts,

Preview Friday 17 May, 6-8pm
Closing Sunday 19 May 2-4pm 
open Friday - Sunday 11am - 5pm.

The Crit Show is for first drafts of projects being developed for exhibitions planned elsewhere. It is an opportunity to expose their developmental process, giving an audience the opportunity to contribute to their further resolution as well as to see works that are not likely to be shown here in their later form. It is also an opportunity for the artists to see how portable these projects actually are. 

24.12.12

Eat Your Art Out: Articulate Turns 2



  
  
  
  

Francesca Mataraga

 Elke Wohlfahrt
 James Nguyen
 Lucinda Clutterbuck
 Noelene Lucas
 Rose Anne McGreevy
Sergio Plata
 Sue Callanan
Tom Isaacs

photos: w.seeto