ARTICULATE: Gary Warner

Showing posts with label Gary Warner. Show all posts

9.1.22

mov.doc opens Saturday 15 January 2-5pm

Open Fri-Sun 11am-5pm 14 -30 January 2022

Opening event Saturday 15 July 2-5pm

Artists talks - TBA

Articulate's third Decade show emphasises artworks that are time-based in incorporating literal movement into their work via moving image or moving objects. (Time-based works that are better described as 'performance' are the subject of a later Decade show.)

Some of the artists who have shown time-based work at Articulate during the last decade will show documentation of that work upstairs and in the backroom. These artists are Ciaran Begley, Linden Braye, Bet(tin)a Bruder, Sue Callanan, Juliet Fowler Smith, Laine Hogarty, Noelene Lucas, Anne Mosey, Jacek Przybyszewski, Margaret Roberts, Margaret Seymour, Helen M Sturgess, Gary Warner, Sarah Woodward and Belinda Yee. Find their time-based works, and the many other time-based works shown at Articulate during the last 10 years, scattered among the posts seen here. The exhibition will also show a range of ways in which artists decide to document their work.

The exhibition will be supported by a catalogue of texts by the artists, as well as a 'new' time-based work by Terry Hayes on the ground floor project space.

Ciaran Begley Tabletop #2 2021

Jacek Przybyszewski Eye Level 2021

Adrian Hall, Espérance, 2022 (not now in mov.doc)

Bet(tin)a Bruder mov.doc - moving forward in rearview (2022)

2014 Diagrammatic Entanglements

2015 No words anymore

2017 Bet(tin)a Bruder featuring forever

2018 Contemplative event scores inspired by Fluxus

2018 Ferret out loopholes

2019 get rid of it all

2020 Draughts/droughts

2020 Breakfast with Beta

2021 Dance with Beta

2022 mov.doc – moving forward in rearview

Juliet Fowler Smith

Noelene Lucas

Linden Braye

Margaret Roberts

Margaret Seymour

Sarah Woodward

Sue Callanan

14.12.20

Articulate Turns Ten opens Saturday 19 December 2-5pm

Opening Saturday 19 December 2-5pm

Open 11-5pm Friday - Sunday

19 December - 3 January

(closed 25-26 December)

AT10 ROOMSHEET

All AT10 posts

Articulate Turns Ten celebrates 10 years of spatial and experimental art practice with an exhibition of new and recent work by artists who have shown at Articulate previously. It acknowledges all the artists who have exhibited in that time, and the community that supports it.

Artists showing in Articulate Turns Ten are Susan Andrews, Vilma Bader, Bettina Bruder, Mandy Burgess and Ro Murray, Jane Burton Taylor, Curtis Ceapa, Sue Callanan, Rox De Luca, Parris Dewhurst, Ella Dreyfus, Nicole Ellis, Bonita Ely, Steven Fasan, Sarah Fitzgerald, Juliet Fowler Smith, Beata Geyer, Simone Griffin, Philippa Hagon, Barbara Halnan, Jan Handel, Kendal Heyes, Isobel Johnston and Jude Crawford, Sonja Karl, Fiona Kemp, Michelle Ledain, Noelene Lucas, Kate Mackay, Diane McCarthy, Mahalya Middlemist, Raymond Matthews, Sue Murray, Sue Pedley and Phaptawan Suwannakudt, Renay Pepita, Anya Pesce, Elizabeth Rankin, Che Ritz, Margaret Roberts, Tamsin Salehian, Alan Schacher, Lisa Sharp, Anke Stacker, Helen L Sturgess, Voices of Women (Lliane Clarke), Molly Wagner, Gary Warner and Elke Wohlfahrt

Design: Maddy Menca

Susan Andrews

Alan Schacher

Lisa Pang

Conditions of entry to the exhibition:

There are limited places in Articulate due to COVID restrictions.

Please stay at home if you’re unwell.
Stay at home if you’ve been in contact with a known or suspected COVID-19 case.
Use the hand sanitisers provided at the entrance to Articulate.
Fill in your contact tracing information on entry to Articulate.

Maintain 1.5 metres distance from other people or wear a face mask.

16.11.19

GOING GONE opened last night

Saturday November 30: 3-5pm: International Remembrance Day for Lost Species

Open 11am - 5pm 16 Nov – 1 December

ROOMSHEET

Uncle Bruce Shillingsworth talks at the International Day for Lost Species

GOING GONE is is organised by Noelene Lucas and Juliet Fowler Smith as an exhibition that explores creative responses to human-induced species extinctions, ecological devastation and the climate emergency. It will show the work of Suzanne Bartos, Barbara Campbell, Josie Cavallaro, Simon Champ, Juliet Fowler Smith, Joan Grounds, Virginia Hilyard, Noelene Lucas and Gary Warner.

Photo: Chris Tay

Photo Chris Tay

11.11.19

GOING GONE opens on Friday 15 November 6-8pm

Opening 15 November 6-8pm 2019

International Remembrance Day for Lost Species: Saturday November 30: 3-5pm:

Open 11am - 5pm 16 Nov – 1 December

GOING GONE is is organised by Noelene Lucas and Juliet Fowler Smith as an exhibition that explores creative responses to human-induced species extinctions, ecological devastation and the climate emergency. It will show the work of Suzanne Bartos, Barbara Campbell, Josie Cavallaro, Simon Champ, Juliet Fowler Smith, Joan Grounds, Virginia Hilyard, Noelene Lucas and Gary Warner.

Juliet Fowler Smith Sunflight, 2018-2019. Photograph

bartosculpture.weebly.com/

virginiahilyard.com

1001.net.au

josiecavallaro.com.au

https://www.youtube.com/watch?v=CODe7L9I46s

garywarner.net/

24.6.18

DE QUINCEY CO presents PLATFORM 2018

a collection of short performances, artworks and extraordinary music by DE QUINCEY CO

Saturday & Sunday 23 & 24 JUNE 3.30pm

ARTISTS: Karen Cummings, Stella Chen, Tess de Quincey, Suzan Doumit, Jacques Emery, Martin Fox, Peter Fraser, Ryuichi Fujimura, Raghav Handa, Linda Luke, Audrey McAllister, James McAllister, Farangis Nawroozi, Raynen O’Keefe, Georgie Read, Vsevolod Vlaskine, Toni Warburton, Gary Warner, Digby Webster and Marcus Whale.

Curated by Linda Luke, Marcus Whale and Tess de Quincey

SMH review by Jill Sykes

Photos: Margaret Roberts

This project is supported by funding from the Inner West Council

1.11.17

a performative soundscape to conclude 'somnauralisms : sonic sketchbooks' - 6pm Sunday 12 November 2017

an aleatoric ensemble

[and other sonic miscellany]

Gary Warner

Sunday 12 November 2017

6pm

In a performative conclusion to the exhibition somnauralisms : sonic sketchbooks

Gary Warner will activate Articulate project space with an evolving hybrid analogue/digital acoustic/amplified soundscape generated by an assembly of

kinetic constructions, electronics, field recordings and live actions.

Virginia Hilyard - Gary Warner

somnauralisms : sonic sketchbooks

Fri-Sun 11-5pm until 12 November 2017

#experimental #soundart #soundscape #sonicenvironment #chamberofquietude #auralpoetics #aleatoryaudio #improvisation #fieldrecording #deeplistening #soundjourney #modifiedturntables #everydayobects #randomised #audioart #foundobjects #experimentalart #abstractart #nonobjectiveear #contemporaryart #notmusic #newmusicality #dadaesque #onenightonly #timesmear #innerear #irregularsingularity #outsidersound #generativesound #...

28.10.17

somnauralisms : sonic sketchbooks opened last night

somnauralisms : sonic sketchbooks is a sound installation by Virginia Hilyard and Gary Warner that is experienced in situations that de-emphasise the visual by mainly using natural light. The only artificial lighting seems to be reflected onto the ground by the sound equipment and draws attention to the listening seats and benches located throughout the project space. Visitors sit or lie to listen to new compositions by the artists that they describe as abstract experimental immaterial sculptures of time, sound and conjured space. read more

somnauralisms : sonic sketchbooks is open Friday-Sunday, 28 October–12 November 2017.

somnauralisms - virginia hilyard

sonic sketchbooks - gary warner

photos above: gary warner

ArticulateUpstairs: Hidden by Elizabeth Rankin and Kirsten Drewes

photos: w.seeto

22.10.17

Virginia Hilyard & Gary Warner - opening Friday 27 Oct 6-8pm

somnauralisms

sonic sketchbooks

Open 28 October– 12 November 2017

Virginia Hilyard and Gary Warner each has a long history of engagement with audio, in filmmaking, field recording and sound art. For this outing at Articulate project space, they comingle evidence and invention in new sound works for headphone listening.

sound collecting - left, Virginia Hilyard (Bingleburra), right, Gary Warner (Higashiyama)

somnauralisms explores the affect of intimate chthonic sounds made by sleeping bodies entwined with sonic happenstance, unheard by the unconscious sleeper, though perhaps sensed into a distorted dream soundtrack. The vigilant recording device listens in the sleeper’s stead, hearing and capturing what they do not in their vulnerable repose.

sonic sketchbooks explores some experiential correlates of aurality and drawing. The space of attentive presence is shared by the performative activities of listening through field recording and drawing, both of which are subjective, internalised, reductive, requiring a commitment of time and an openness to process.

Constructed from the artists’ field recordings in Australia, Europe and Japan, and sounds made in studio, forest or street recorded with binaural, shotgun, contact and vintage microphones and hydrophones, these new compositions are abstract experimental immaterial sculptures of time, sound and conjured space.

website - virginia hilyard website - gary warner soundcloud - gary warner

19.3.16

Saturday Artists talks in Room To Move

Saturday 12 March: Gary Warner, Margaret Roberts, Jenny Brown

Saturday 19 March: Fiona Kemp, Virginia Hilyard, Linden Braye

Saturday 26 March: Emma Wise, Sue Callanan, Lesley Giovanelli, Julian Woods

The artists talks during Room To Move are generating interesting discussion and good attendance. On the first Saturday we listened to Gary Warner's orchestra of instruments fed by turntables and gravity, and heard about how he arrived at them. Then we heard Margaret Roberts talk about her ninth (and so far final) re-make of one of Katarzyna Kobro's works, and how she got to this project. Finally Jenny Brown spoke about making her video designed to give voice to the mourning we will experience for the loss of place as climate change progresses. Images are below.

Today Fiona Kemp talked about how she arrived at using horse figurines and horse-feed bags to engage with memory processes. Then Virginia Hilyard spoke about her practice of making rubbings of doors and clothing and its similarity to her related practice of recording sound in walls etc using contact microphones. Linden Braye then talked about how she got a video recording of a father and son playing a coin tossing game in the CBD and her interest in relating the content of such found footage with the surfaces on which it is later projected. We got so involved in the discussion that no one remembered to take any photos.

Next Saturday Emma Wise will talk about her interactive access work, Sue Callanan about her swimming projection, Lesley Giovanelli about her fabric sculpture and Julian Woods about his pillar-of-water projection. Come along at 2pm for the talks and discussion.

back: Gary Warner an aleatoric ensemble (variations) 2016
front: Lesley Giovanelli Dwarka 2016

Margaret Roberts discussing #9 2016

Jenny Brown discussing her The hitchhiker’s guide to the Symbiocene 2016

8.3.16

Room To Move opens Friday 11 March 6-8pm

Articulate Directors Show

Open Friday - Sunday 12 -27 March, 11am-5pm

Artists talks: Saturdays at 2pm

Saturday 12 March: Gary Warner, Margaret Roberts, Jenny Brown

Saturday 19 March: Fiona Kemp, Virginia Hilyard, Linden Braye

Saturday 26 March: Emma Wise, Sue Callanan, Lesley Giovanelli, Julian Woods

Room to Move ROOMSHEET

Room to Move includes work by Linden Braye, Jenny Brown, Sue Callanan, Lesley Giovanelli, Virginia Hilyard, Fiona Kemp, Francesca Mataraga, Margaret Roberts, Gary Warner, Emma Wise and Julian Woods - artists who, in 2016, are either Directors of, or in other ways work to run Articulate .

Articulate began five years ago when a group of artists with a common background in the Sculpture Studio at Sydney College of the Arts found an opportunity to fill a gap in the Sydney art scene that had long effected them and other installation artists. The gap was caused by the increasingly institutional nature of otherwise sympathetic exhibition spaces, that might welcome installations but then expect them to be constructed within a few days. Twenty-four-hour access to devise and construct work in situ had become harder to find. We wanted a place where artists are welcome to work with the relationships that can be formed between artwork and location by actually devising and making artwork in it.

These frustrations and enthusiasms brought us to accept an opportunity to rent a newly renovated space on the ground floor of 497 Parramatta Road Leichhardt. The name 'articulate' was proposed, to emphasise our intention to give voice to space— to 'articulate the space'. We called it a 'project space' rather than 'gallery' to signal our interest in the open-ended and process-oriented nature of experimentation and live art, to invite artists to experiment with exhibition-practice as much as art-practice, and to remind ourselves that an exhibition space is also a live space that is not contained by the building walls.

We described our agenda as spatial, experimental, critical, cross-disciplinary and artist-centred. We wanted to suggest that, as much as possible, Articulate is a place where artists and our practices are respected and where the lateral thinking of art practice is standard; where content is sought in form, material, action and construction, etc., as much as in representation; where critique and reflection are taken seriously; and where art conventions are questioned—especially the conventions of spatial autonomy (eg through installation practices) and of art speciality (eg through ‘idea dictates form’, where people see themselves as artists first, and think of their art-disciplines as part of their toolkit). Underlying it all however was a desire to also show what we think is the most interesting artwork available.

In the five years since then, there have been over 120 projects and exhibitions showing the work of the 350 artists currently listed on the index of both Articulate blogs. Collectively they represent a variety of practices that either overlap with Articulate's spatial and experimental focus, or form part of their wider sympathetic context. And we plan to continue for a while longer.

Over this time the group running Articulate has also expanded to now include 12 artists, and Room to Move shows examples of their work. Artist talks will be held in the project space each Saturday at 2pm.