Artist Index

Showing posts with label Jim Denley. Show all posts
Showing posts with label Jim Denley. Show all posts

24.6.19

PLATFORM 2019 Saturday & Sunday 29 & 30 JUNE 3.30-5.30pm

De Quincey Co's mid-afternoon collection of short performances, installations, artworks and extraordinary music
Saturday & Sunday 29 & 30 JUNE 3.30-5.30pm
ARTISTS:  Cordelia Beresford, Kristina Chan, Tess de Quincey, Martin del Amo, Jim Denley, Michael Dixon, Sue Healey, Mayu Kanamori, Nick Keys, Adelina Larsson, Linda Luke, Rhiannon Newton, Marnie & Melanie Palomares, Matte Rochford, Gaele Sobott, Amanda Stewart, Vsevolod Vlaskine, Adam Warburton, Toni Warburton, Eugene Ward, Gary Warner, Digby Webster, Marcus Whale, Gareth Yuen, Arisa Yura.

Curated by Martin del Amo, Eugene Ward, Marcus Whale, Tess de Quincey
Photo:  Heidrun Lohr

Join us for the next instalment of short works forged in the interdisciplinary meetings of emergent and established artists. The fresh blood of Sydney unfolds the inside and outside spaces of Articulate across three levels...

Places are limited so BOOKINGS ESSENTIAL
Tickets $15 book HERE
Start at 3.30pm sharp


Please note:  The space can be cold so please dress accordingly. And... there is a fair amount of walking to and fro both inside and outside the space as well as up and down stairs.



See Articulate images from PLATFORM 2018




             
                     This program is supported by funding from the Inner west Council

22.7.17

SPLINTSTALLATION OPEN REHEARSAL TODAY

Open 11am - 5pm Friday - Sunday till 30 July
Finissage concert - Sunday 30 July 6-8pm - FREE
come along for a unique deep-listening sound art experience

Splinters involved in this project include Prue Fuller, Laura Altman, Mel Herbert, Bonnie Stewart, Andrew Fedorovitch, Jim Denley, Cor Fuhler, Peter Farrar, Solly Frank, Mimi KindShota Matsumura, Axel Powrie, Tony Osborne, Sonya Holowell, Rhys Mottley,  Luiz Gabriel Gubeissi, Adam Gottlieb, Alexandra Spence, Weizen Ho, Jack Stoneham, Charlie Sunborn, Marco Cheng, Hannah Kim and Ruby Everett. 







This project is supported by funding by the Inner West Council

16.7.17

Splintstallation opens Friday 21 July 6-8pm

Opening Friday 21 July 6-8pm
Open 11am - 5pm Friday to Sunday 22 -30 July
Artists talks and performances - times to come

Splintstallation is a sound-based, site-specific project designed especially for Articulate's project space by the Splinter Orchestra.



The Splinter Orchestra is a large-scale ensemble working in improvised experimental sound and music, and that is developing its current interest in sound installations. Splinters involved in this project include Prue Fuller, Laura Altman, Mel Herbert , Bonnie Stewart, Andrew Fedorovitch, Jim Denley, Cor Fuhler, Peter Farrar, Solly Frank, Mimi KindShota Matsumura, Axel Powrie, Tony Osborne, Sonya Holowell, Rhys Mottley,  Luiz Gabriel Gubeissi, Adam Gottlieb, Alex Spence, Weizen Ho, Jack Stoneham, Charlie Sunborn, Marco Cheng, Hannah Kim, Ruby Everett.  

Splintstallation is planned as a combination of audio-visual installation, sounding sculptures and spatial music performance that will explore and examine the natural vibration, resonance and ambient sound environment within Articulate’s project space. 

It will use the two weeks in Articulate as a residency during which the group will pursue site-specific group improvisation and homogenous sound installation works to which the public will be invited during Articulate’s normal opening times.  Specific performance events will be advertised here.

Splinter’s practice draws from acoustic ecology, ‘psychogeography’ and phenomenology to explore the idea of listening as an active practice. Its aesthetic favours subtlety, quietude and unusual sound sources. More recently Splinter has developed an interest in sound installations. Many members have created their own self-playing instruments and sound devices, which can be dispersed around the room at rehearsals and incorporated into the groups rehearsing and playing.


 In June 2017 members of the group organised a Splintstallation at Tempe Jets (where it rehearses weekly). This installation used the many rooms and spaces of the building, and unlike other sound installation exhibitions, the individual artworks were made to coexist and compliment others, to create an immersive spatial sound environment.  

See previous events by the Splinter Orchestra on 

includes documentation from the Mungo trip and other projects
documentation from the first Splintstallation at Tempe Jets in June 2017







The project is supported by funding from the Inner West Council