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| Jacqueline Spedding |
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| Margaret Roberts |
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| Beata Geyer |
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| Anticlockwise: Margaret Roberts, Beata Geyer India Zegan, Christine Myerscough |
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India Zegan
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Beata Geyer
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| Beata Geyer |
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| topdown: Jacqueline Spedding Beata Geyer Margaret Roberts India Zegan Beata Geyer |
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| L-R: Beata Geyer India Zegan Christine Myerscough India Zegan |
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| Christine Myerscough |
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topdown: India Zegan Margaret Roberts
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| Beata Geyer, India Zegan, Margaret Roberts |
Beata Geyer LEMON (Form Drawings) 2014 is an installation that explores an emergence of
form in the intersection of line, space and architecture loosely based on the
series of my recent drawings. It also references my previous project LEMON (Ian Millis Project) 2013 shown
in Artspace. The materials used
are: rope, coloured paper, paper tape, canvas fabric, stretched canvas, wood,
plastic, acrylic paint, bulldog clips. www.beatageyer.com/
Christine Myerscough, Telegraph 2014. Australian landscape is criss-crossed with a network of telegraph poles. If you look closely you will find that each one has a number. This series is works in progress exploring the fine detail with a wider outlook and the intersection of technology and industry with the natural world.
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| Jacqueline Spedding, Beata Geyer, Margaret Roberts |
Margaret Roberts Multitude
2014. Katarzyna Kobro's Spatial
Composition 9 is usually represented by a particular three-quarter 'side-on' image. Multitude 2014 is a type of expanded film
or photography, or neo-cubism, as it selects flat shapes made by photographing the
round Spatial Composition 9 from some
of the multitude of other positions possible, and returns a rudimentary
three-dimensionality to them through their interaction with their materials (plywood,
fabric, felt, texta & paper), the architecture and the gravity in which
they are placed. www.margaretroberts.org
Jacqueline Spedding, Night Song, 2014
I am
interested in cultural interpretations of nature and how they determine our
understanding of our physical selves and the environments we inhabit. For
this work, bare branches, broken down garden pots, terracotta pipes and insect
remains evoke a subterranean and emergent landscape within the project space,
exploring the transitional space between nature and culture. |
| Jacqueline Spedding Beata Geyer |
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| Jacqueline Spedding Margaret Roberts |
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| Beata Geyer India Zegan |
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| Beata Geyer Christine Myerscough |
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| Beata Geyer Margaret Roberts |
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| India Zegan Beata Geyer Margaret Roberts |
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| India Zegan Museum of Fathers #40: Fog drawings (2013) (detail) |
India Zegan
1. Museum of Fathers #39: 30 irregular minutes(1999-2013) 120x 120x 8.4cm, plywood, mdf and consolidant; Special thanks: Steve Mori;
2. Museum of Fathers #40: Fog drawings (2013) 7.4x 10.4cm; 8.5x 11cm; 8,5x 11cm; 8,5 x 11cm; 7.5x 11cm; Found e-photograph, archival paper and pencil; Special thanks: Richard Crampton.
3. Museum of Fathers #41: Raft (2014), plywood, consolidant, found objects, diameters: 66 & 68.7cm; depth: variable;
4. Museum of Fathers #42: Slow (2014), archival paper & coloured pencils, 175cm x 145cm; museumoffathers.blogspot.com.au
1. Museum of Fathers #39: 30 irregular minutes(1999-2013) 120x 120x 8.4cm, plywood, mdf and consolidant; Special thanks: Steve Mori;
2. Museum of Fathers #40: Fog drawings (2013) 7.4x 10.4cm; 8.5x 11cm; 8,5x 11cm; 8,5 x 11cm; 7.5x 11cm; Found e-photograph, archival paper and pencil; Special thanks: Richard Crampton.
3. Museum of Fathers #41: Raft (2014), plywood, consolidant, found objects, diameters: 66 & 68.7cm; depth: variable;
4. Museum of Fathers #42: Slow (2014), archival paper & coloured pencils, 175cm x 145cm; museumoffathers.blogspot.com.au
