Artist Index

Showing posts with label Eva Simmons. Show all posts
Showing posts with label Eva Simmons. Show all posts

1.2.19

FERMENT 5 OPENED TONIGHT

Open 11am-5pm till Sunday 3 February

FERMENT 5 is the final FERMENT exhibition and shows the work of  Lisa Andrew & Rachel Buckeridge, Susan Andrews, Corinne Brittain, Lucinda Clutterbuck and Lewis Argall, Claire GibbonNola Farman, Allan Giddy,  Adrian Hall, Laine Hogarty, Annelies Jahn, Michelle Le Dain, Joyce Lubotzky, Wendy Miller, Louise Morgan, Nadia Odlum,  Anya Pesce, Renay Pepita, Nina Price, Tamsin Salehian, Eva Simmons, Helen M Sturgess, Mark Titmarsh and Elke Wohlfahrt.

See all FERMENT here.

ROOMSHEET here


front - back: : Renay Pepita, Eva Simmons, Corinne Britainn, Laine Hogarty

Tamsin Salehian





Laine Hogarty, Wendy Millar, Lisa Andrew & Rachel Buckeridge, Nina Price

Laine Hogarty, Helen Sturgess


Wendy Miller





Allan Giddy

Allan Giddy



Joyce Lobotzky
Nola Farnam

Nola Farnam

Nadia Odlum




Annalies Jahn

Nadia Odlum, Annalies Jahn


L-R: Lucinda Clutterbuck and Lewis Argall, Helen M Sturgess, Nadia Odlum



8.4.18

Degrees of Refinement - Clothing as Art, Art from Clothing

shows the work of  Linden Braye, Rachel Buckeridge, Lesley Giovanelli, Anne Graham, Pam Kleemann and  Eva Simmons.

open Friday – Sunday 11am-5pm,  7 - 15 April

Rachel Buckeridge Photo: Peter Murphy
 Karen Dalton sings Katie Cruel 2018 Installation with Towels, cloth, full and empty bottles, table, two chairs, perspex block with coin inside, funky cd player and headphones, cd, glass, posca pens, rafia, masonite, paint, thread, ready made beer belts (they are new), shop dummies, silkscreened cloth, wooden necklace, ceramic dog ashtray, silicone mat 
I love this song, Karen’s amazing voice and the apt words of the song and I love old towels. so why not combine the two. and add a crystal.An ode to Karen and Katie in towels and bottles.
Murder Welcomed 2014 Silk screen embellished with paint and ink 

I usually work with either found or second hand things, making art, clothes, bags, anything really.

Anne Graham Archie's Coat 2018

Archie was a star on the Chinese New Year banners in Sydney 2018  wearing a Chinese jacket . This jacket was made at the Australian Tapestry Workshop, Melbourne, and it is made from Archie's own fur, felted to make a jacket  to keep him smart and warm this winter. 

R: Pam Kleemann IBS Dress (Irritable Bridal Syndrome) 2018
Human and synthetic hair, cotton thread, PVA glue on canvas

African-American artist Adrienne Wheeler invited a number of women to contribute to White Dress Narratives (part of the Pure Power exhibition). Each artist was given a white dress blank canvas, to decorate according to our individual perspectives/interpretations of the white dress. The original white dress was hand-made for her mother's year 8 graduation, and the template was cut from the original dress.
















































 Lesley Giovanelli Photo: Peter Murphy

Walking past a Madonna on Wei Bao Shan Mountain 2018 clothing Indian and Chinese cottons, Malaysian printed sarongs, American designer fabric.  This colour field began with clothing belonging to myself and friends. We no longer wear them but they represented an era in our lives. I wanted to capture the richness of the material and colour and perhaps some of the fantasy they held for us. The brightness of the colour and the patterned fabric reminded me of a beautiful temple I visited in China.


 Linden Braye 
Culture Vultures 2018 porcelain figurines

Culture Vultures represents the historical and cultural layers of objects.

Linden Braye 
Nature Morte 2018 carpet, plants, earth, fox fur.

This carpet was given to me by a good friend because I always admired it. Two events in my house led to its demise. It has been re-used and regenerated.

Linden Braye Rabbit Warren fur coats silk

This work re-uses the pockets of discarded fur coats. The rabbits are made from silk lining which when in the coats give extra luxury and value.


Eva Simmons Anorgasmia 2018 Aluminium wire/foil, textiles acrylic paint, ball-point pen, kitchen paper, oak dowel, ova glue.


27.3.18

Degrees of Refinement - opening Friday 6 April 6-8pm

Degrees of Refinement - Clothing as Art, Art from Clothing shows the work of  Linden Braye, Rachel Buckeridge, Lesley Giovanelli, Anne Graham, Pam Kleemann and  Eva Simmons.

open Friday – Sunday 11am-5pm,  7 - 15 April

A group of sculptors, who incorporate clothing and textiles into their art works, will come together to create a highly tactile exhibition with colourful installations, freestanding sculptures and wall works. Clothing can represent the body but also signify cultural attitudes and personal beliefs. Degrees of Refinement is a term coined by Christina Murdoch Mills* referring to signs of process which impact on how viewers experience the work, their sensory experience and understanding of it. The process visible in the clothes, the fabrics and the works themselves ranges from rough, crude and raw to smooth and highly finished. 

Individual identities emerge in some of these works.  Anne Graham felts the hair of her friend’s dog. Items of clothing, given by friends, become rich icons in the centre of Lesley Giovanelli’s wall of colour, whilst Pam Kleemann decorates a template based on the graduation dress of the mother of Adrienne Wheeler, an African-American artist. For Eva Simmons it’s a more personal journey, using embroidery and construction to explore her own sensuality and sexuality.

Alternatively, for Rachel Buckeridge and Linden Braye, the collecting of discarded objects, old fabric and clothing offers some distance from a particular owner. Rachel uses old beach towels to create a fictive life for a folk character in one  of Karen Dalten's songs whilst Linden’s reclamation of fur coats and damaged carpets humorously resurrects the forgotten past.

Throughout this exhibition the multiplicity of materials- natural, synthetic, animal and plant as well as the many techniques used, work to create a highly textured and engaging experience.


*Christina Murdoch Mills in Materiality as the Basis for the Aesthetic Experience in Contemporary Art




























Eva Simmons



Linden Braye

Lesley Giovanelli

Rachel Buckeridge

Pam Kleemann

Anne Graham







18.2.18

FERRET 5 opens Friday 23 February 6-8pm

FERRET 5 will open Friday 23 February showing the work of  Susan Andrews, Michele Beevors, Bettina Bruder, Sophie Coombs, Carolyn Craig, Julia Davis, Marta Ferracin, Sarah Fitzgerald, Jane Gavan, Michelle Grasso, Lyn Heazlewood, Caitlan Hespe, Kendal Heyes, Elizabeth Hogan, Lisa Jones, Michelle Ledain, Tom Loveday, Joanne Makas, Alex Moulis,  Eva Simmons, Helen M Sturgess, Yoshi Takahashi, Sienna White and Elke Wohlfahrt.

FERRET 5 ROOMSHEET


Helen M Sturgess Untited 2018, Photo: Louise Morgan





















Articulate’s FERRET project shows the work of over 60 artists during the 5 weeks from 26 January to 25 February 2018. Each of its five shows is open Friday to Sunday, 11am-5pm, with Friday night (6-8pm) openings on 26 January and 2, 9, 16 and 23 February.

FERRET is Articulate's third project that presents the exhibition as a site determined as much by changing artwork as by architecture and location. It does this by intermingling works by two groups of artists each week — incoming artists install in a site shaped partly by works continuing from the previous week and the gaps left by outgoing works. It is planned as a slow progressive artists' dance in which each show is one step, and in which the whole is understood through a mixture of observing and remembering. FERRET 5 is the fifth and last of these FERRET shows. 
 


L-R: Marta Ferracin, Sophie Coombs, Sienna White
Sarah Fitzgerald, Carolyn Craig, Joanna Makas, Michele Beevors, Liz Hogan
L_R: Eva Simmons, Susan Andrews, Sarah Fitzgerald

L-R: Carolyn Craig, Joanna Makas, Michele Beevors, Liz Hogan

Helen M Sturgess

Yoshi Takahashi, Julia Davis/Lisa Jones

Jane Gavan, Julia Davis\Lisa Jones
Bettina Bruder | Jane Gavan

Alex Moulis

Caitlan Hespe