Artist Index

Showing posts with label Fiona Davies. Show all posts
Showing posts with label Fiona Davies. Show all posts

29.1.16

Fresh Paint - Grilled Chicken opened tonight


 
 
Fiona Davies
Lea Kannar-Lichtenberger
Niall Robb

Audrey Newton

Cybele Cox; Bernadette Smith
Bernadette Smith (Photo: FB)
Nick De Lorenzo

Trevor Fry
Lea Kannar
Engrybirdz - collaborative duo - Dorit Goldman and Melissa Maree
  (Ph Bernadette Smith)
Engrybirdz - collaborative duo - 
Dorit Goldman and Melissa Maree (detail)

Photos: Margaret Roberts (except where stated)



Saturday 6 February:
Lea Kannar 12pm-12:30pm  Discussion time: 12:30pm-1pm
Fiona Davies: 2pm - 2:30pm  Discussion time: 2.30-3pm

19.1.16

SCASS Project: Fresh Paint - Grilled Chicken opens Friday 29 January 6-8pm

Curated by Melissa Maree

Open Friday - Sunday 11am - 5pm, 30 January - 14 February

Artist Talk/Live:
Saturday 6 February:
Lea Kannar 12pm-12:30pm  Discussion time: 12:30pm-1pm
Bernadette Smith: 1pm-1:30pm  Discussion time: 1:30pm-2pm
Fiona Davies: 2pm - 2:30pm  Discussion time: 2.30-3pm


FACEBOOK EVENT

Local News 

SCASS Project: Fresh Paint - Grilled Chicken is curated by Melissa Maree and shows work of ten artists who are recent postgraduates from Sydney College of the Arts (SCA)—Audrey Newton, Cybele Cox, Fiona Davies, Nick De Lorenzo, Trevor Fry, Dorit Goldman, Majose Guzman, Lea Kannar-Lichtenberger, Niall Robb and Bernadette Smith. Fresh Paint - Grilled Chicken replaces the annual postgraduate exhibition that has recently been cut from the SCA program, and is supported instead by Sydney College of the Arts Student Society (SCASS) and University of Sydney Union (USU). It includes the work of postgraduates from 2014 and 2015.

The works are the product of a common purpose of postgraduate study, not because their work shares common concerns or has been curated to fit a coherent theme. Instead it shows the diversity of ten independent art practices, described by the artists as ranging from the impact of  the Anthropocene on our biosphere, concern for the recognition and preservation of ancestral cultures, death within the mediated context of the Intensive Care Unit, contemporary social inequality, the traditional role of names, the imagining of ritual cult religions, the mixing of religious art with pop culture, and experiments with destablising traditional form or investigations of “surface encounters”.

Despite this diversity, as each work will be installed with regard to its spatial relationship with each other and with the architectural forms of the building, a coherence will be sought during installation that may draw more randomly on other elements in the work.

Majose Guzman Invisible Roots 2014

Majose Guzman

Invisible Roots was created as a tribute to the amazing changes that are happening thanks to leaders that are completely engaged with the protection and development of their communities. Invisible Roots hopes to awaken the desire in people, with no regard of their ethnicity, to reconnect with where we come from and who we are, to start realising that our roots make us unique in a world where everything is starting to look the same; and through this desire, inspire the recognition and preservation of our ancestral cultures.



Lea Kannar-Lichtenberger, Feasting and Meditating on the Anthropocene 2 2015


Lea Kannar-Lichtenberger
 Avoidance - Unseen in the Anthropocene
2 video 12 min loop, plastic sheeting, plastic debris

 Avoidance - Unseen in the Anthropocene
2 video 12 min loop, plastic sheeting, plastic debris
This work explores the impact of the Anthropocene on two islands, and generally the impact of humans and tourism on the local marine populations.  Due to the upwelling Humboldt Current, Galapagos Island  has little or no ocean debris.  In contrast, Lord Howe Island, isolated 600 km off the Australian coast is constantly bombarded with ocean debris.  

This work is a social, ethical and environmental comment on the human connection to our oceans. It is an enquiry into the ways in which individual people and science are working to save non-human life and deal with climate change, and increasing ocean pollution. It juxtaposes the creation of more disposable technology and plastics with our concern for the preservation of the marine environment.


www.leakannar.com

leakannar@bigpond.com



Fiona Davies, Blood on Silk: Magenta
Fiona Davies

I am a visual artist working primarily with installation, video and sound and interested in death within the mediated context of the Intensive Care Unit.

www.fionadavies.com.au

www.bloodonsilk.com



Audrey Newton I tried i reall did 2015
Audrey Newton

I am a practice led artist who works with investigational techniques in painting, sculpture and installation. I use a variation of mediums as experiments in deforming and destabilizing traditional form.



Cybele Cox Mystic Kittens 2015
Cybele Cox

My large totemic ceramic sculptures construct objects of an archaic imagined ritual cult reiligion that either happened in the past or could be of the future.

www.cybelecox.com.au

cybelefrancescox@gmail.com



Bernadette Smith Our rights are NOT discretionary 1 2015
Bernadette Smith

My art installation investigates the issue of ableism or discrimination against less able bodied swimmers in public pools. In a throwback to the Nazi era elite swimmers are often unfairly privileged while those with injuries, disabilities or older swimmers struggle for equal access. This artwork highlights such social inequality and presents a protest banner, photographic documentation and actual email correspondence between a less able bodied swimmer and pool management. The installation also includes portraits of people randomly selected from the street who were asked to pose in front of this banner to be part of the exhibition if they agreed with its message. http://bernadettesmithart.blogspot.com.au


Nick De Lorenzo digital clouds 1
Nick De Lorenzo

Through alchemical experimentations and abstractions my work explores the materiality of the photograph as an object, and the spaces between painting and photography.



Trevor Fry enlightened being 2014-15
Trevor Fry

I currently work mainly in ceramics, making figurative sculptures inspired by wide ranging sources, from religious art to pop culture monsters and aliens.



Niall Robb Untitled 2015
Niall Robb

Niall Robb is a multidisciplinary artist who engages with varied materialities and minimalist forms, positioning materials and more specifically their surfaces as sites of engagement and wonder, investigating “surface encounters” which trouble conceived notions of the “thickness of existence.”

dis_object g ven 2015
dis_Object
Each of us has a name – Zelda Schneersohn Mishkovsky.

Each of us has a name, given by God, and given by our parents
Each of us has a name, given by our stature and our smile, and given by what we wear
Each of us has a name, given by the mountains, and given by our walls
Each of us has a name, given by the stars, and given by our neighbours
Each of us has a name, given by our sins, and given by our longing
Each of us has a name, given by our enemies, and given by our love
Each of us has a name, given by our celebrations, and given by our work
Each of us has a name, given by the seasons, and given by our blindness
Each of us has a name, given by the sea, and given by, our death.

Mishkovsky, Zelda Schneersohn. "Each of Us Has a Name." Poetry International Rotterdam. Hebrew Union College, Cincinnati, 2004. Web. 7 Dec. 2015. <http://www.poetryinternationalweb.net/pi/site/poem/item/3275/auto/EACH-OF-US-HAS-A-NAME>.
https://www.instagram.com/dis_object/

Artists statements pdf



E: scastudentsociety@gmail.com


19.4.14

FAIR ISLE 2 - PETER MURPHY IMAGES

The second FAIR ISLE iteration is open on the weekend of 19 and 20 April, showing the work of  Linden Braye, Sue Callanan, Sach Catts, Bettina Bruder, Fiona Davies, Brigitta Gallaher, Barbara Halnan, Fiona Kemp, Rose Ann McGreevy, Alan Rose, Helen L Sturgess and Skye Wagner.

artworks: centre: Rose Ann McGreevy, right: Sue Callanan
people: L-R Sue Callanan, India Zegan, Kathryn Ryan

left: Barbara Halnan; right: Rose Ann McGreevy


front: Sue Callanan, back: Alan Rose
 foreground: Sue Callanan



front-back: Helen L Sturgess, Barbara Halnan,
 Sue Callanan, Barbara Halnan

L-R: Brigitta Gallaher, Fiona Davies;
foreground: Bettina Bruder
foreground: Bettina Bruder; right: Fiona Davies


L-R: Fiona Davies, Sach Catts

foreground: Sach Catts, Bettina Bruder

L-R: Sach Catts, Bettina Bruder






15.4.14

FAIR ISLE - first iteration with Amy Prcevich

Fair Isle: take one

Taking its name from a traditional knitting technique used to create patterns with multiple colours, the works in Fair Isle form a tapestry of conversations around fluidity and structure.

Bettina Bruder’s Diagramatic Entanglements is an ensemble of elastic bands stretched to their limits and connected to each other and the corners of the building. The work gently directs viewers to draw their gaze to the periphery of the artwork and on to the structure of the building. The audience is encouraged to touch, pull and play with the bands causing them to bob, shudder and bounce. The viewer induced movement and mutation of the work makes us ponder the moments of fluidity and spontaneity that can occur within a fixed structure.

Fiona Davies’ Memorial/One shift November 30 presents a field of red crosses embroidered with buttons onto kitchen strainers and is coupled with Blood on silk: surgery – a woven stream of red ribbon. The latter is reminiscent of brick work or DNA strands, depending on whether your focus is drawn to the wall on which Blood on silk rests or its relationship to the accompanying work. Together the works are a prelude to a sense of medical emergency with a contingency plan already set.

Helen L Sturgess’ Another Life is quite literally a drawing with paper. High quality drawing paper cascades from the ceiling in a graceful crumple and the work hovers in a state of contemplation. What form have we just missed? What will evolve next?

In Rose Ann Mcgreevy’s work a sculptural cluster of wooden panels and pegs is arranged on the floor and interrupts our movement through the exhibition space. On opening night it was an olfactory as well as visual experience. The delicious aroma of newly assembled building materials calling to mind the very process that was involved in constructing the work. Knowing Fair Isle is only in its first of five incarnations this work seems a perfect entry point into ideas and forms to re-explore and build upon in the coming weeks.

Fiona Kemp’s selection of digital images make reference to water conservation in the Lockyer Valley. In one image a deep red gush of colour bursts forth from a sprinkler, in the other an assembly of water sprinklers are captured ‘at attention’ calling forth ideas about defence and weaponry. In humanising the simple technology at the heart of a water supply system the work has an almost visceral effect as it mimics the primal anxiety which comes from a threat to a precious, all-encompassing resource.

Alan Rose’s two panel light installation is a soft, gentle explosion of colour. The seamless transition from hue to hue in arrangements of angulated spheres across stark black boards is so subtle and sublime that it is more than dream-like, but meditative or hallucinatory.

At the heart of all these works is a curated conversation about states of transition and in each form we get the sense that we are merely looking at one point in the life-span of an object or idea. As viewers we have the responsibly to be imaginative and contemplative in order to create ideas about the past and future based on these momentarily fixed states that form a connection between what is and what will be.

Amy Prcevich


Alexander Vine - photostream of Fair Isle 1 opening

Lean Richards - alt media

Bettina Bruder
right: Fiona Davies
Fiona Davies

Luke (left) and Alan Rose (right)
mid: Helen L Sturgess
Rose Ann McGreevy

Fiona Kemp





Photos: Fiona Kemp

ROOMSHEET


8.4.14

FAIR ISLE - first iteration


Fair Isle's first opening on Friday 11 April 6-8pm will show new work by Bettina BruderFiona Davies, Fiona Kemp,  Rose Ann McGreevyAlan Rose and Helen L Sturgess.  Fair- Isle will then be open 11am - 5pm Sat - Sun 12-13 April. 

Their work can also be seen on Saturday 19 and Sunday 20 April, 11am - 5pm, with the work of the next group of 6 artists: Linden Braye, Sue Callanan, Sach CattsBrigitta Gallaher, Barbara Halnan and Skye Wagner.  




Alan Rose Cycloide in Vivid 2013