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Showing posts with label Dell Walker. Show all posts
Showing posts with label Dell Walker. Show all posts
3.11.21
artist talks | DELL WALKER, EUNJOO JANG & STEVEN FASAN
14.10.21
Articulate re-opening Friday 15 October: artists' talks Sunday 24 October 2-5pm
Dell Walker's Holding Back the Tide resumes Fri Oct 15th, till Sun Nov 14th 2021
psp:doc resumes Fri 15 Oct till Sun 24 Oct 2021
Open 11am - 5pm Fri-Sun
Artists talks Sunday 24 October 2021 2-5pm:
Sue Callanan, Lesley Giovanelli, Terry Hayes, Aude Parichot, Alan Schacher, Dell Walker & Toni Warburton:
https://us02web.zoom.us/j/4593687253
• Or attend live (see Conditions of entry below)
Dell Walker's Holding Back the Tide celebrates Articulate's decade of support for spatial art practice by being the 27th project space project, a program that Articulate began in 2011 to encourage artists to use the project space to develop projects in the same space in which they are shown. It is supported by psp.doc in ArticulateUpstairs, which shows artist's documentation of ten of the earlier project space projects by artists Sue Callanan, Lesley Giovanelli, Terry Hayes, The Hypothetical World, Aude Parichot, Kathryn Ryan, Alan Schacher, William Seeto and Toni Warburton.
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| Dell Walker Holding Back the Tide 2021 |
Conditions of entry:
NSW Public Health Order requires all visitors over 16 years of age,
To sign in with the QR code provided at the entrance,
To have double vaccination, and wear a mask.
Social distancing rules will also apply.
Please don't come if you are feeling unwell.
Articulate is a registered Covid Safe business.
24.6.21
Event Cancellation of Saturday 26 June opening & talks
EXHIBITIONS: originally planned to be open 11am - 5pm Fri-Sun 18 June- 18 July 2021
EXHIBITIONS OPEN 11am - 5pm Sat-Sun 17-18 July 2021 (subject to lockdown lifting 16 July)
EVENTS CANCELLED DUE TO COVID: Opening event and artists' talks Saturday 26 June and 3 July 2-5pm
Articulate is closed until end of lockdown, with plans to extend current shows by two weeks, with final talks and closing on weekend of 17/18 July if lockdown is lifted by then.
Dell Walker's Holding Back the Tide celebrates Articulate's decade of support for spatial art practice by being the 27th project space project, a program that Articulate began in 2011 to encourage artists to use the project space to develop projects in the same space in which they are shown.
It is supported by psp.doc in ArticulateUpstairs, that shows artist's documentation of earlier project space projects by artists Sue Callanan, Lesley Giovanelli, Terry Hayes, The Hypothetical World, Aude Parichot, Kathryn Ryan, Alan Schacher, William Seeto and Toni Warburton.
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| Dell Walker, Holding Back the Tide 2022 |
photos: the artist
Conditions of entry:
Please do not come if you are unwell or a contact of a COVID-19 case.
Complete your contact tracing information on entry to Articulate.
Keep 1.5 metres distance from others and wear a face mask
Use the hand sanitisers provided at the entrance to Articulate.
14.6.21
Project space | Dell Walker - Holding Back the Tide
Extended until Nov 14th
Open 11am - 5pm Fri-Sun
Artist talks Sunday Nov 7th, 2pm - 3.30pm
Dell Walker's Holding Back the Tide celebrates Articulate's decade of support for spatial art practice by being the 27th project space project, a program that Articulate began in 2011 to encourage artists to use the project space to develop projects in the same space in which they are shown. It is supported by psp.doc in ArticulateUpstairs, which shows artist's documentation of ten of the earlier project space projects.
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| Dell Walker, Frolic/Freeze 3, Articulate, 2020 (detail), balancing found styrofoam packaging |
Holding Back the Tide
Both the process and the final appearance of this immersive installation are important, so visitors are welcome to see the work as it develops over the weeks, June 15 – July 4. You are invited to gently touch the work and/or participate by adding your own styrofoam. I will be working during opening hours (Fri - Sun, 11 - 5) and for other times to meet call 0424 444 631.
Rubbish art that thinks about acquiring and discarding
In Holding Back the Tide I link two inundations. Firstly, in purchasing we are still awash in single-use plastics (though that tide is beginning to turn). Secondly, careless disposal of these plastics creates a flood of rubbish and litter worldwide, impacting the planet, especially the oceans.
For this Project Space Project, I attempt to integrate two methods of ‘playing’ with plastic rubbish: hanging tiny pieces of litter in a variation of a child’s mobile, and, sculptural assemblage by balancing (house-of-cards style) with discarded, single-use, preformed polystyrene foam packaging shapes. An immersive, gradually modulating installation of vulnerable materials.
With Articulate’s front door facing south, the strong wind gusts will require some ingenuity with the styrofoam, but no glues, tapes, cutting or pinning will be employed, to avoid making more litter. The foam is so light that it can easily escape into the environment during transportation or when left out for hard rubbish collection. In the weather it breaks up, blown or washed into drains and waterways, onwards towards the oceans. There, along with all the other plastics, it mimics fish food and disrupts hormones of all creatures. Plastics do not break down for at least 500 years, they just break up into minute particles, even more problematic than the unsightly debris.
Worrying about the state of the planet led me to first pull styrofoam out of the weather and into the studio but once there, this foam became just material and it is sheer fun to be able to make temporary installations with the endless variety of these crisp machine-cut forms. However, I am not interested in foam from recycling. My works critically depend on discardedness, the needless waste from thoughtless accruing in the dominant philosophy of our culture: consumerism.
Rubbish is not rubbish
Rubbish is a generic name that enables easier discarding; our unwanted, which we wish to conveniently disappear. If polystyrene foam is regarded as material, as for soft plastics going to REDcycle outside supermarkets, we would deliver it to densification machines, to remove its 98% air. Melted into a white solid, it can be melted again to form other products (now mostly for building products, in the past single-use cutlery was polystyrene). Currently made from fossil oil, foam packaging could be made from vegetable products, as with the loose-fill packing ‘noodles’, which dissolve out of doors. Alternatively, appliances are sometimes packaged with preformed recycled cardboard fitting the negative spaces (as for eggs). Styrofoam inserts can be returned to the retailer to dispose of, but shopping online results in more packaging and less responsibility for it. Packaging skips behind retailers were for recyclers but these have largely disappeared with other countries no longer willing to buy our unsorted plastics.
The value of rubbish is starting to be recognised with more bottles made with 100% recycled plastic.
The turtle’s view
As well as utilising discarded styrofoam, the second aspect of this Project Space Project will take a diver’s or a turtle’s view of our plastic litter. Delicate hangings in this section will be affected by viewers’ movements among them, giving agency. To sway with an underwater motion, the tiny pieces of litter needed to be glued to an unobtrusive, lightweight support. Human hairs sufficed, with the bonus of hanging the responsibility on all humans for the rubbish. While some marine debris is generated on the oceans or shores, a considerable proportion starts inland, carried out by wind or rain.
Post-consumer debris from streets, creeks, parks and beaches is used. The majority of this litter remains single-use items, especially packaging, and has come to be made of increasingly seductive, fluorescent and translucent plastics, in the battle for market share; they become eye-catching for sea creatures.
All hang from discarded foam sheets, that separate flat-pack furniture; like the furniture, this mobile can be disassembled for storage and reuse. Art is a second use for rubbish. In salvaging any plastics for art use, I am holding back the tide: a dam to impede progress, or a rubbish trap in the drain flowing to the sea.
Some efforts toward stemming the tide of plastic debris
Art is a temporary measure that draws attention to rubbish, normally beneath notice. After art, recycling is an option for the clean styrofoam, but for dirty plastics or those made from fused mixed plastics (as in toys and toothbrushes) there is no recycling.
Reuse is preferable to recycling. Without the costs of recycling processes, reuse extends a product’s life and reduces its carbon footprint. Reuse is a pivotal key towards zero waste: Refuse, Reduce, Reuse/Repair, Recycle or Rot.
I am not focused on this weighty topic as I work; it is enjoyably challenging to be given such a large space with my rubbish, figuring ways to wedge and interlock foam forms to resist the southerly winds yet still appear precarious, like ecosystems. The best method to hold back the tide of rubbish is to resist the source. Resist the ploys of marketers who engineer artificial demands for products, ignore the advertisers that try to convince us to be unhappy with what we have, and the conglomerates that deceive by saying that consumerism is driven by customers.
This artwork was instigated by deep concern over global warming and environmental degradation as a result of over consumption (all the pollution generated in manufacturing and transportation of short-lived goods). Instead of simply making a statement by bringing in lots of packaging waste, an immersive and interactive artwork was planned, playing balancing games with all my fantastic shapes again. My work often reconfigures the negative aspects of litter and waste into art that catches joy or awe, beauty or gentleness, curiosity or intrigue. The result is engagement, encouraging viewers to seek understanding.
Dell Walker
June 2021
_______________________________________________________________
Conditions of entry:
NSW Public Health Order requires all visitors over 16 years of age,
To sign in with the QR code provided at the entrance,
To have double vaccination, and wear a mask.
Social distancing rules will also apply.
Please don't come if you are feeling unwell.
Articulate is a registered Covid Safe business.
Previous advertised dates, changed due to lockdown in Sydney
Open 11am - 5pm Fri-Sun 18 June- 11 July 2021
Opening event Saturday 26 June 2-5pm
(postponed till 10/11 July subject to lockdown)
Artists talks (postponed till 10/11 July subject to lockdown)
Saturday 26 June 2pm: Dell Walker, Aude Parichot, Alan Schacher
Saturday 3 July 2pm: Dell Walker
2.2.20
FROLIC FREEZE 4 opens Friday 7 February at 6-8pm
FROLIC FREEZE 4 will be open from 11am - 5pm Friday - Sunday, 7 - 9 February, showing the work of Sue Callanan, Chantal Grech, Joanne Makas, Raymond Matthews, Renay Pepita, Anke Stäcker, Dell Walker, Nina Walton, Elke Wohlfahrt and Sarah Woodward.
FROLIC FREEZE 4 ROOMSHEET
FROLIC FREEZE has 5 other openings, on 17, 24 and 31 January and 14 and 21 February 2020, and will be open 11am-5pm Friday - Sunday, 17 January - 23 February.
FROLIC FREEZE is a rolling exhibition showing the work of around 10 artists at a time over its 6 weeks. As a progressive art-dance, its artworks come and go according to a pattern that shows how individual artworks subtly change as their context of other artworks alters. See these changes as well as the artworks by coming to each of its 6 iterations, opening on 17, 24 and 31 January and 7, 14 and 21 February 2020.
Artists participating in FROLIC FREEZE over its whole 6 weeks are Karen Banks, Liz Bradshaw, Beta Bruder, Rachel Buckeridge, Jane Burton Taylor, Sue Callanan, Carla Cescon, der_melicious, Dominique Madeleine Devadason, Michele Elliot, Gina Fenton, Michelle Grasso, Chantal Grech, Laine Hogarty, Raymond Matthews, Diane McCarthy, Lucy Merrett, Joanne Makas, Mahalya Middlemist, Wendy Miller, Sue Murray, Janet Ollevou, Renay Pepita, Tanya Peterson, Margaret Roberts, Tamsin Salehian, Megan Schwartz, Rolande Souliere, Anke Stäcker, Paul Sutton & Steve Simpson, Jessica Thallmaier, Dell Walker, Nina Walton, Molly Wagner, Emma Wise, Elke Wohlfahrt and Sarah Woodward.
FROLIC FREEZE continues Articulate’s experiment with exhibition practice begun with FAIR ISLE, FERAL, FERRET and FERMENT in previous years.
SEE FROLIC FREEZE PLANNING HERE
Design: Maddy Menca
FROLIC FREEZE 4 ROOMSHEET
FROLIC FREEZE has 5 other openings, on 17, 24 and 31 January and 14 and 21 February 2020, and will be open 11am-5pm Friday - Sunday, 17 January - 23 February.
FROLIC FREEZE is a rolling exhibition showing the work of around 10 artists at a time over its 6 weeks. As a progressive art-dance, its artworks come and go according to a pattern that shows how individual artworks subtly change as their context of other artworks alters. See these changes as well as the artworks by coming to each of its 6 iterations, opening on 17, 24 and 31 January and 7, 14 and 21 February 2020.
Artists participating in FROLIC FREEZE over its whole 6 weeks are Karen Banks, Liz Bradshaw, Beta Bruder, Rachel Buckeridge, Jane Burton Taylor, Sue Callanan, Carla Cescon, der_melicious, Dominique Madeleine Devadason, Michele Elliot, Gina Fenton, Michelle Grasso, Chantal Grech, Laine Hogarty, Raymond Matthews, Diane McCarthy, Lucy Merrett, Joanne Makas, Mahalya Middlemist, Wendy Miller, Sue Murray, Janet Ollevou, Renay Pepita, Tanya Peterson, Margaret Roberts, Tamsin Salehian, Megan Schwartz, Rolande Souliere, Anke Stäcker, Paul Sutton & Steve Simpson, Jessica Thallmaier, Dell Walker, Nina Walton, Molly Wagner, Emma Wise, Elke Wohlfahrt and Sarah Woodward.
FROLIC FREEZE continues Articulate’s experiment with exhibition practice begun with FAIR ISLE, FERAL, FERRET and FERMENT in previous years.
SEE FROLIC FREEZE PLANNING HERE
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| Sarah Woodward / Dell Walker |
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| Joanne Makas |
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| L-R: Chantal Grech, Renay Pepita, Raymond Matthews |
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| Chantal Grech (detail) |
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| Renay Pepita |
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| Raymond Matthews |
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| Elke Wohlfahrt |
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| Chantal Grech |
Design: Maddy Menca
1.2.20
FROLIC FREEZE 3 opened last night
FROLIC FREEZE 4 will open Friday 7 February 6-8pm
FROLIC FREEZE 3 ROOMSHEET
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| Joanne Makas |
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| Dell Walker |
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| R-L: Nina Walton, Molly Wagner, Dell Walker, Joanne Makas; Upstairs: Elizabeth Rankin |
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| L-R: Dell Walker, Molly Wagner |
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| Beta Bruder |
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| Front: Beta Bruder, wall: Margaret Roberts |
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| Anke Stäcker |
26.1.20
FROLIC FREEZE 3 opens Friday 31 January 6-8pm
FROLIC FREEZE 3 will be open from 11am - 5pm Friday - Sunday, 31 January - 2 February, showing the work of Beta Bruder, Sue Callanan, Joanne Makas, Margaret Roberts, Anke Stäcker, Molly Wagner, Dell Walker and Nina Walton.
FROLIC FREEZE 3 ROOMSHEET
FROLIC FREEZE has 5 other openings, on 17 and 24 January and 7, 14 and 21 February 2020, and will be open 11am-5pm Friday - Sunday, 17 January - 23 February.
FROLIC FREEZE is a rolling exhibition showing the work of around 10 artists at a time over its 6 weeks. As a progressive art-dance, its artworks come and go according to a pattern that shows how individual artworks subtly change as their context of other artworks alters. See these changes as well as the artworks by coming to each of its 6 iterations, opening on 17, 24 and 31 January and 7, 14 and 21 February 2020.
Artists participating in FROLIC FREEZE over its whole 6 weeks are Karen Banks, Liz Bradshaw, Beta Bruder, Rachel Buckeridge, Jane Burton Taylor, Sue Callanan, Carla Cescon, der_melicious, Dominique Madeleine Devadason, Michele Elliot, Gina Fenton, Michelle Grasso, Chantal Grech, Laine Hogarty, Raymond Matthews, Diane McCarthy, Lucy Merrett, Joanne Makas, Mahalya Middlemist, Wendy Miller, Sue Murray, Janet Ollevou, Renay Pepita, Tanya Peterson, Margaret Roberts, Tamsin Salehian, Megan Schwartz, Rolande Souliere, Anke Stäcker, Jessica Thallmaier, Dell Walker, Nina Walton, Molly Wagner, Emma Wise, Elke Wohlfahrt and Sarah Woodward.
FROLIC FREEZE continues Articulate’s experiment with exhibition practice begun with FAIR ISLE, FERAL, FERRET and FERMENT in previous years.
SEE FROLIC FREEZE PLANNING HERE
design: Maddy Menca
FROLIC FREEZE 3 ROOMSHEET
FROLIC FREEZE has 5 other openings, on 17 and 24 January and 7, 14 and 21 February 2020, and will be open 11am-5pm Friday - Sunday, 17 January - 23 February.
FROLIC FREEZE is a rolling exhibition showing the work of around 10 artists at a time over its 6 weeks. As a progressive art-dance, its artworks come and go according to a pattern that shows how individual artworks subtly change as their context of other artworks alters. See these changes as well as the artworks by coming to each of its 6 iterations, opening on 17, 24 and 31 January and 7, 14 and 21 February 2020.
Artists participating in FROLIC FREEZE over its whole 6 weeks are Karen Banks, Liz Bradshaw, Beta Bruder, Rachel Buckeridge, Jane Burton Taylor, Sue Callanan, Carla Cescon, der_melicious, Dominique Madeleine Devadason, Michele Elliot, Gina Fenton, Michelle Grasso, Chantal Grech, Laine Hogarty, Raymond Matthews, Diane McCarthy, Lucy Merrett, Joanne Makas, Mahalya Middlemist, Wendy Miller, Sue Murray, Janet Ollevou, Renay Pepita, Tanya Peterson, Margaret Roberts, Tamsin Salehian, Megan Schwartz, Rolande Souliere, Anke Stäcker, Jessica Thallmaier, Dell Walker, Nina Walton, Molly Wagner, Emma Wise, Elke Wohlfahrt and Sarah Woodward.
FROLIC FREEZE continues Articulate’s experiment with exhibition practice begun with FAIR ISLE, FERAL, FERRET and FERMENT in previous years.
SEE FROLIC FREEZE PLANNING HERE
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| Anke Stäcker, Concised Analogue 2020 (detail) |
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| Nina Walton, Pure Primary Colours 2020 (in progress) |
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| Joanne Makas |
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| Nina Walton, Pure Primary Colours 2020 (in progress) |
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| Sue Callanan Lines of Communication: dead ends, 2020 |
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| Dell Walker Negative Spaces Interrupted 2020 Site responsive balancing of salvaged single-use styrofoam packaging, variable dimensions. |
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